20/100+

Yes, so my glasses broke about 2 weeks ago. I explained it already in the July 24 post.

I still don't have my new pair. Should be here any day now. I'm wearing a 10-year old pair, over-negative in both eyes, but only at night to watch the Olympics and "work" on my laptop. Otherwise I need to be within 12 inches or so to see clearly.

At distance, my acuity is no better than 20/200. I can tell just by looking into the distance and sticking a finger out: no detail that I can see is much smaller than maybe a quarter of the thickness of a fingernail (a little bigger than a degree). So, my acuity limit is probably not much more than 4cpd.

If this was the best I could do, I would be on the bad end of low vision. But it gets better the closer you get to my face (come on, get closer to my face) - like I said, everything is sharp and clear within a foot or so. But, at distance - which is how I spend a lot of my commuting time, at least, and a lot of time at taekwondo - I'm 20/200. How bad is that?

For one thing, 4cpd is about the acuity limit of a cat (or of some jumping spiders). So it's not bad on a basic vision standard, because cats and jumping spiders are very visual creatures. 4cpd is good enough to get by on vision. But for a human, in the world of humans, it's not too good. At distance I can't recognize faces, at all. Ten days' practice, and I just can't do it if I don't have some other information, and then I don't think it counts. I can't read signage - I can't tell what trains are coming into the station at Government Center. None of that is debilitating, but it makes sense to call it a handicap. High frequencies aren't just details, they're content.

20/200 is resolvable detail of 10 minutes of arc. At 35cm, about where my laptop screen is right now, 10ma is about 1mm, which sounds small. But the dot pitch (vertical/horizontal pixel separation) on my screen is about .227mm. With my corrected acuity being around 20/15, I should be able to see details at least as small as 1ma, about .1mm apart, so I can discriminate individual pixels with my normal acuity. At 20/200, I wouldn't be able to discriminate details smaller than 4 or 5 pixels across; I would definitely not be able to read this text (whose lines are 1 pixel thick, and which tend to about 10x5 pixels HxW).

Printed text, which I like to hold pretty close to my face, at least 20cm, would still be unreadable. I'd have to hold it much closer, where the shadow of my head would start to get in the way. I'd need large print. I wouldn't be able to read music. I'm wondering how much acuity you need to do the classic threading of a needle (I haven't even started to wonder about depth perception - I noticed that it was off for the first few days, but I seem to have adapted pretty well, and I'm not afraid to cross the street as I was at the start), or to slice meat and vegetables without slicing yourself - it's not the same as reading, since you're looking for centroids for those things, but I wouldn't really want to try...

Not that I'm going to try, but I could: visual acuity at about 20 degrees eccentricity is close to 20/200. There you have to contend with crowding, though, so you're effectively worse off.

So 20/200 isn't disabling, but it does prevent you from accessing all sorts of primate-relevant stuff. Faces, reading, music, fine finger-based activities. It's been interesting, but I'm just about ready for my new pair of ($10!!) glasses to arrive.

post

very slight headache lately. nothing obvious beforehand - maybe some occasional false-alarm-foveal-scotoma feelings, but nothing ever showed up.

those false alarms: when reading, i get a feeling that the text is smudged or jumbled, but when i try to see what's wrong, even one eye at a time, i can't actually find any defects. at other times, it's less clear, because the non-text world is more complicated, but i still haven't actually caught and analyzed any of these defects. so, i still don't know if they're false starts, like a CSD bubble that stops soon after is starts, or just high-level false alarms, i.e. paranoia.

anyways, that's it. working on text for a talk next month. tiny bit of writing lately. somehow i have three people reviewing the classification image manuscript. need to get back to the blur adaptation revision sooner rather than later. not looking forward to it, but once i'm into it i think it should be okay.

i know this is stupid

I'm dusty,

I'm crusty,

I'm Augusty!

you're crusty,

you're lusty,

you're Augusty!

she's lusty,

she's busty,

she's Augusty!

you're busty,

you're trusty,

you're Augusty!

we're trusty,

we're gusty,

we're musty,

we're Augusty!

we're Augusty.

we're Augusty.

cloud

Hey! Internet post!

I still do not have a "smart phone" (the quotes there represent my fingers doing the quote gesture as I say "smart phone"). So, you might think that I am behind on the internet times.

But no! If you think this you are wrong. I use three computers (home, office, and lab), and they are all linked together. They share a Dropbox, which has basically replaced FTP in my daily file-shuffling. From what I hear, once MEEI has finished eating SERI, they're going to do away with our FTP server anyways, so that's fine. My computers also are all equipped with Logmein, so I can use any of them from anywhere, so long as they remain connected. Effectively, all three computers can be used as one.

Those are both pretty basic, though. The thing I'm excited about is SVN: version control. D* just taught me about this last week, and I'm already using it to manage my manuscripts. You create a repository to store files for a project, and it contains all versions of the project over time, as you make changes. It is amazing.

Sophisticated users, e.g. software developers, will give SVN its own server so it can be accessed from multiple locations by different users. What I'm doing is leaving the repositories on Dropbox; so, wherever I am, so long as the files are synchronized (i.e. as long as the internet is working between the two relevant computers), I can always get to the current version of my files. This is great. I don't have to worry about whether I'm moving the right ones, or which were the most recent versions (on which computer) after a long pause in a project - the most recent versions are all contained in the central Dropbox location, and I don't have to think about it. I'm sure there's a pitfall there.

The Dropbox is backed up on the lab and office computers, but I haven't set up a backup on my laptop yet. Need to do that. Anyways, I feel this is a great advance in organization. We'll see what my files look like after a few years of this. Next big modeling project should definitely take advantage of this system!